![]() Meanwhile, her dancing gig was supposed to be a one-off. 8 and big sister to 6-year-old twins Rumi and Sir, Blue's life has always boasted a certain je ne sais quois, even before she was a Grammy- and VMA-winning picture of precocity, effortlessly doing Renaissance Tour choreography with her mom's dancers in front of 70,000 people. Pretty savvy for a child who hadn't yet reached double digits. ![]() "Using blends I created and taking time for herself to decompress and be at peace." "One of my most satisfying moments as a mom is when I found Blue one day soaking in the bath with her eyes closed," Beyoncé told Harper's Bazaar in 2021, sharing a very rare detail about life behind the palace-like walls. Not that Beyoncé and Jay-Z's kids need to be flying anywhere to achieve a certain level of elevation, riding in style being the whole family's default setting. The modern day version with better features”).Are there three children who've collectively logged more private air travel than Blue Ivy Carter, Rumi Carter and Sir Carter? The lyrics to the 2013 song include a reference the couple’s growing art collection (“House like the Louvre or the Tate Modern”) and give a nod to Beyoncé (“Sleeping every night next to Mona Lisa. More recently, the images for Beyoncé’s flower-goddess inspired pregnancy and baby announcements were created by photographers Awol Erizku and Mason Pool, respectively.įive years ago, Jay-Z famously took over Pace Gallery in New York City to film the video for his art-inspired song “Picasso Baby.” The interactive performance featured artists Marina Abramovic, George Condo, Rashid Johnson, Marilyn Minter, Andres Serrano, Lorna Simpson, Mickalene Thomas, Kehinde Wiley, and Fred Wilson, among others. The video for “Hold Up,” for example, the song from Beyoncé’s “Lemonade” album in which she saunters down the street in a golden yellow dress busting out car windows, appears to reference a similar sequence in a 1997 project by Swiss artist Pipilotti Rist. Ricky Saiz directed the video.īringing their music into the museum setting is a natural development given the couple’s penchant for collecting art and previous collaborations and connections with artists. The song was written and produced by Pharrell and the Carters and features vocals by Quavo and Offset from the Migos, who are also co-writers. Among the most striking images, she’s planted two dancers in front of the Mona Lisa for a hair-combing session, complete with an afro pick with a clenched fist on the handle.Īmong the most striking images, she’s planted two dancers in front of the Mona Lisa for a hair-combing session, complete with an afro pick with a clenched fist on the handle.īeyoncé and Jay-Z are in the midst of their On the Run II tour and performed in London Stadium on June 16, the day the album dropped and the “Apeshit” video was released. Elsewhere in the museum, they work their hips before “The Coronation of Napoleon,” an 1807 painting by Jacques-Louis David. ![]() ![]() The dancers perform synchronized choregraphy on the grand Daru staircase that ascends up to the museum’s iconic Winged Victory of Samothrace, a marble Hellenistic sculpture dating from about the 2nd century B.C. Amid calls to diversify museums, she’s staged an intervention with a procession of black female dancers wearing nude-toned body suits in a spectrum of beige, tan, and brown. Powerful images have become Beyoncé’s stock-in-trade and in this regard the video doesn’t disappoint. The nine-track collaborative project is titled “Everything is Love” and both artists appear on every track including the first single “Apeshit,” the subject of the video. The Paris museum played host to the Carters who dropped a surprise album on Saturday. FOR THEIR LATEST VIDEO, Beyoncé and Jay-Z took over the Louvre, stunting and styling through the galleries without a tourist in sight.
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